Symbolic Sound Corporation has added support for Open Sound Control (OSC) to its Paca(rana) sound engine. Using Open Sound Control, you can interact with Symbolic Sound’s award-winning Kyma sound design system using a variety of software and real-time controllers, including the Apple iPad and the JazzMutant Lemur, that offer higher resolution and faster update rates than can be achieved using traditional, standard MIDI controllers.

Symbolic Sound’s innovative Kyma X environment features a unique set of sound synthesis and processing algorithms and a powerful way to easily re-combine these algorithms to create sounds that have never been heard before. Open Sound Control is an open communications protocol that delivers higher speeds, greater resolution, and more flexibility than is afforded by the standard MIDI protocol. By connecting a Paca or Pacarana via Ethernet, sound designers, musicians, and researchers using Kyma can establish bi-directional communication with OSC-enabled devices and software on the network to control parameters of Kyma algorithms.

Back Panel of the Paca(rana), showing the Ethernet Port

Doug Kraul, CEO of Harmony Systems, Inc. is enthusiastic about Kyma’s new OSC technology. “OSC is a brilliant addition to the already stellar Kyma sound design workstation”, said Kraul. “It immediately enables exciting new ways to use Kyma on stage or in the studio. But the true impact of this forward looking technology is the new, innovative controllers and applications that OSC makes possible for the Kyma platform”.

Don’t have any OSC-enabled devices or software yet? Not to worry! You, too, can benefit from the faster speeds, higher resolution, and reduced cable-count of OSC by using Symbolic Sound’s protocol for sending bi-directional MIDI streams over OSC. Symbolic Sound is happy to announce that several third-party development partners are concurrently announcing new software that supports bi-directional communication with Kyma over OSC:

Known as the Rosetta Stone of music controllers, Camille Troillard’s Mac OS X application OSCulator (pictured at top) is already familiar to Kyma users who utilize it for sending individual MIDI controls, OSC, and HID control data over FireWire to Kyma. Now, in OSCulator 2.9.2, you can also send OSC messages directly to the Paca(rana) over the network.  OSCulator 2.9.2 also implements Symbolic Sound’s Bi-Directional-MIDI-streams-over-OSC protocol, enabling you to send streams of MIDI events from your software directly to Kyma without need for a MIDI interface on your computer and without having to map each controller individually in OSCulator.

Harmony Systems, Inc. is offering two new Mac OS X applications in its Delora product line, vM2 and PacaMidi, that incorporate Kyma’s new “MIDI-over-OSC” technology to further enhance and facilitate real-time interaction with Kyma. vM2, a “virtual MotorMix”, enables JazzMutant Lemur owners to enjoy automatic, fully integrated tactile control over Kyma’s Virtual Control Surface. Recently updated to include several exciting new features, vM2 2.0 employs “MIDI-over-OSC” to eliminate the complication of physical MIDI cables and interfaces. PacaMidi, Harmony’s newest product, uses “MIDI-over-OSC” to create a “virtual MIDI interface and patchbay” that adds three merged MIDI inputs and one MIDI output to a Paca(rana). This expands Kyma’s connectivity options, while saving you the expense and complexity of using physical MIDI interfaces, hardware mergers, and numerous cables.

If you are one of the many artists using Kyma in conjunction with Ableton’s Live and/or Cycling74’s Max, you’ll be happy to hear that Andrew Capon has written a Max external for bidirectional MIDI communication over OSC that works with both Max and Max For Live.

Sound artists will find this new feature of interest primarily due to the new opportunities it affords for controlling Kyma using OSC-enabled software running on devices such as the newly announced Apple iPad (and compatible iPhone and iPod Touch), the award-winning JazzMutant Lemur multi-touch surface, and numerous other OSC controllers and software.

This new feature may also be of particular interest to research labs and researchers developing data-driven virtual environments. Using the Open Sound Control protocol, researchers can write their own software for updating sound parameters while running experiments or for streaming data from networked computers to the Paca(rana) to update sound synthesis parameters in real time in response to external controllers, experimentally generated data, streams of data from remote sensors, or synthetically generated data based on computer models.

OSC-enabled Kyma X.74 is a free software update for registered Kyma X owners. OSC communication requires the Paca or Pacarana sound engine. Kyma X.74 also comes with additional features, including an 11-times speedup in the Virtual Control Surface, support for the MOTU UltraLite Hybrid mk3, TC Electronic Impact Twin, and Prism Audio Orpheus converters, track-pad compatible menus, refinements to the Tau resynthesis, and more.

www.symbolicsound.com

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